Blog Archive

Friday 23 November 2018

Poème "Engourdissement"

(improvisé le 23 novembre 2018 vers 06h30am)




Quelle beauté cette vie de merveilles,


 


Sa resplendissante rougeur perçant l’obscurité de la veille d’aujourd’hui.


Les jours sont longs et interminables, n’aboutissant qu’aux nuits où le sommeil s’échappant de sa régénération compromise.


 


Le cerveau alimenté par un nettoyage hebdomadaire de termes aussi futiles qu’inutiles, la transparence maintenant remplie de synonymes honteux, prêchés dans la parole des vipères cloitrés entre quatre murs fermés.


 


Le bon semblant risque l’empêchement du déboire et le poison propagé dans cet esprit sous l’emblème apprenante hypocritiquement manipulé feignant la collaboration illusoire.


 


La masse s’empiffre en n’apprenant que le renouvellement inquiet, mais éternel, continuant ainsi le gaspillage continuel en appartenance avec les autres preneurs ainsi.


 


Que de merveilles nous attend lors de notre passage auprès des besoins régressé, l’émergence qui profonde au travers de distorsions de nos meurs et croyances aussitôt épongées, la promesse de thèmes que notre nettoyage nous semble accueillir du moment dit.


 


Tu as changé mon pote, tu me dis que s’en n’est que pour le meilleur, seulement lorsque le meilleur à venir a pris le bord du changement renouvelé. Tes termes sont justifiés par la langue pour laquelle je me suis questionné sa honteuse rébellion.


 


Les journées longues et interminables remplies d’inutilités glorifiées par les prêcheurs des fonds d’étages n’aboutissent qu’aux nuits ou le sommeil s’évapore dans l’espace d’un clin d’oeil.


Friday 13 April 2018

1 year gone: MIka Vainio



A year ago today (already!) one of music's most eclectic, original, and stimulating geniuses passed away.. Yeah I know, many people will say that the passing of such greats as Bowie, Lemmy, Prince and such will be more hard-pressed to rub those big-wig names down your nose, and most will never even know about Mika Vainio. Best remembered as one of the founders of the Finnish band Panasonic (who were forced to changed their name to Pan Sonic by the electronics giant conglomerate), he was also incredibly prolific as a solo artists and collaborating with dozens upon dozens of other somewhat similarly minded artists. Perhaps Mika knew that his days were numbered, which is maybe a reason why he was so productive in his years post-Panasonic (they called it quits after a 15+ year run). Anyway, he shall never be forgotten and so sorely missed as his own brand of unique sound exploration simply can not be duplicated I even made an album myself in honour of the man:


https://www.discogs.com/Alexander-Wheill-M-Tapio-V/release/10167492


You can listen to one of the pièces from that album via the souncloud page:


https://soundcloud.com/wreckagerecs/lxw-m-taapiov-1





Wednesday 4 April 2018

AZUR metro: The STM's biggest blunder?

Ask anyone who uses the metro (subway) service from the STM on a regular basis for over a couple of décades and they will tell you that it isn't all just pleasantries good expériences. In fact, ask almost anyone who has used the metro on a daily basis for the past 20 or so years and they can probably tell you horror stories you would come to expect, such as the increasing amount of delays and halts since 2014, the over-packed métros during the ever-growing rush hours, the long waits between trains (did you know that a 10-15 minute wait between métros before 07h30 is actually considered normal?), the lack of cleanlyness (due to metro users who have no respect for public transit), and so on and so forth.




However we also must realize that we Montrealers (as Quebecois) love to complain. We complain about gas prices, traffic jams, the weather, the tazes, etc. We are seemingly a nation of people who just love to complain at every opportunity even if we are not prompted nor stimulated to do so. In fact, most people in a public place will strike up a conversation with strangers by simply starting to complain about something. So of course it is no surprise that the STM (Societé de Transport de Montréal) is a great source for Montrealers to complain. Yes, perhaps the STM did win some awards years ago as one of Canada's "best" public transit systems in operation, and yes, maybe their new post 2010 reduxed propaganda slogans seem to offer a better, kindly, gentler public service, but the fact remains that they are the only service offering public transit across the centralized Montréal island, and in such have total corporate control over thousands of in-and-out-city commuter's only semi-viable transportation option. So it is no surprise that like any corporation with a monopoly on the service they offer, the STM can basically impose anything they wish reguardless of how it affects the users of their system, casual or regulars alike.




As a bus and metro user for the past 35+ years now, I have seen many, many changes that the STM have done, from their actual namesake (anyone else remember the STCUM?) to the types of buses used, as well as changes in sound and noise levels on their vehicles, and changes to their routes and "highly flexible" schedules. Most changes offer a better, kinder, gentler experience for their users on paper and propaganda, but usually these come with another type of "pricetag" in the long haul, one which makes a decreasing amount of users remember a time when the services were actually a more pleasant experience. Now with constant metro entrances/exits closed down for rénovations, changes in bus stops and routes due to traffic jams and city construction, the STM are placing a more pro-active stance on their public image and propaganda.




However most of these little nit-pickings could be easily acceptable if it wasn't for the STM's biggest blunder so far since their 50+ of existance. The "new" AZUR metro, which are now almost unavoidable on the orange and green lines. If at first glance these AZUR métros seem more homely and futuristically sanitized, they are in fact an attack on the human senses, designed for the new ADD and ADHD générations of Wireless cellphone/smart phones / tablets addicts. Their lighting is too bright, the station announcements are too loud, there are less seats, and the smell/smell enhancers. So read on if you would like to know more about how the AZUR métros are prooving to be not just a nuissance and unpleasant experience for the metro users, but are also, to a certain degree and from a certain point of view, somewhat harmful for your health!




First off, the lighting. At first, people seem to think that the overly-bright LED or LCD (or whatever these halogen-like lights are called) are a welcome change, making the AZUR métros much brighter. In fact, I recall reading a comment on a Facebook account how the first time one person took the AZUR metro, he flet like he was in a "Blade Runner"(*) scene ("Blade Runner is a 1982 science-fiction film by Ridley Scott, often reguarded as a classic in the genre). Maybe the fact people feel at "ease" Under these LED/LCD lights is because most people are now addicted to such lighting screens: most home TVs are no longer plasma, instead using the same technology as computer/laptop and smartphone/tablet screens. It is also a well documented fact that the light projected from these LCD-LED screens prevent the body's natural production of melatonine, a compound necessary in a regenerative sleep cycle. It is no Wonder that people suggest you stop using computers and tablets and non-plasma TV before going to sleep because of the effect of these screens. The AZUR métros are completelly equipped with the same lower-grade LED-LCD lights, which in turn also contribute to depleting and preventing the body`s naturally occuring melatonine production. In essence, AZUR métros can actually help to contribute to your sleep disorders! It comes as no surprise as part of this flawed design was done in order to prevent people from sleeping in the metro. But when the only light available in the métros help to contribute to your fragmented sleep and insomnia, it makes you Wonder why the small driver compartment in front (and back) of the AZUR métros are not equipped with the same lights, nor are they shining at the same level of intensity. Bref, AZUR métros are way too bright.






Secondly, the noise. Yes, at first the AZUR métros appear to be much more quiet on the inside than previous metro trains, and this is absolutely true. However the noise the AZUR métros generate on the outside is much louder than older métros. But the point here is actually those automated metro station announcements. If the AZUR métros are quieter on the inside, then why are the station anouncements' volume so loud? Again, this is probably another design blunder made in response to the ADD/ADHD générations who are so locked in to their own little (not so) private Wireless social media worlds, that the metro designers thought it "best" to make absolutely certain that the automated station announcements were so loud that no maximum level headphone would ever fully drown out the dreadful loudness of the pre-recorded voice on the speakers, which seem to be everywhere in these AZUR métros, about 3 to 4 feet away from one another. Also, this could be designed to tie-in with how the STM doesn`t want anyone sleeping in the métros, and how could they? With the sheer aggressive loudness of these station announcements, no one could ever doze off for more than a minute at a time! To add insult to injury, part of the STM's modern propaganda is to remind people to turn their own electronic devices' volumes down, as no one enjoys to have other peoples' music music imposed upon them. The sheer hypocricy in this is staggering as they themselves (the STM) obviously have no respect for their paying users by having the volume of the station anouncements so loud. Even all their other announcements (such as when the service is halted or slowed down for example) is at a slightly lower level, which means that there is a possibility to turn the volume down, but the STM has yet to do so, prefering to leave the volume so high that it is almost painful and very aggresive, especially when you are stuck doing a 30-45 minute run Inside the metro. Yes, I could also make a small point to also mention that the general automated announcements made inside the metro stations themselves have also increased in volume and frequency over the years, but that would be taking the attention away from the real problem at hand which is the unbearable loudness of the AZUR metro`s automated station announcements. With all the marvel modern technology at their disposal, I can not believe they are unable to decrease this volume by a few incréments to make public transit a less dreadful experience. But then again, this design flaw may be part of their un-mentioned true agenda.




Thirdly, the AZUR metro smell, and how smells are left "stuck" within the open-space design of the métros. This third portion may be a question of personal tastes and may be open for debate, but let us not forget how some people, even if a small part of the population, are actually allergic to synthetic smells, such as perfumes for example. One problem with the AZUR metro open-car design is that smells are not avoidable. In old metro trains, if you were affected by someone's overly strong perfume smell, you could move away and even change metro cars at the next stop, but with the new AZUR design, easily avoiding this is more difficult than ever. Take under consideration that I myself as a hard working contributor to modern society, I start work very early in the mornings and thus take the metro very early in the mornings. With this in mind, I usually ride with people "fresh" out of their morning routines, which means that close to 100% of women and about 30-40% of men are also smelling quite "ripe" with the freshly applied perfumes and whatnot. The open AZUR metro designs makes much more difficult to avoid being bombarded with these offensive synthetic smells, and avoiding being anywhere near such a strong percentage of perfume-fresh-wearing people is also of increasing difficulty. Again it is quite puzzling that such a marvel of modern technology such as the AZY métros are not equipped with a better air filtration system, at least to disspate such offensive smells with more efficiency. Also, maybe this is just a very early morning situation, but I also noticed that the AZUR métros themselves give off a smell. It can only bedescribed as a bottled-up dusty gravel-road like odor which is too common and regular to be coming from any other source. Unless of course we are talking of "the same" person always in the same AZUR metro every single morning for the past 2 or so years, who would happen to wear a perfurme meant to emulate those dusty non-asphalt gravel roads in the humidity-hot summertime. But I digress. Again, I find it quite bizarre that these modern AZUR métros are not equipped to dealing with proper air filtration and smell dispersement, and I also need to admit that in this case I fail to see how this design blunder falls within the STM agenda.






I could continue to nitpick about other design flaws of the AZUR métros, obviously made to make the paying users less comfortable during their obligatory public transits, but these would proove only as personnal rantings. For example, it is useless to point out how there are less seats in these AZUR métros than their previous counterparts (save for some on the green live which seem to suffer a similar fate as their AZUR counterparts) and while there is more space for people to squeeze into each other standing up, the handle bars locations were obviously not designed for shorter people nor for those trying to be as out of the way as possible, which in turn adds to the uncomfortable nature of these communial travels. Maybe the spacing between handle bars was a deliberate ploy from the STM to force people to move out of the way regularly during their transit to allow other users to move about, enter and exit. Also not worth mentioning is how these new AZUR seating arrangements seem tighter and more cramped than before as though trying to compress as many people with as little hand-helg bagage as possible, as well as how there is no more arm rest spaces. Also not to mentioned for fear of selfish nit picking is how uneven the actual ride in the AZUR métros are: un-even moving forward, often a "rocking back and forth" motion is felt, and the rather harsh stops which require one to hang on firmly to anything in order to avoid being thrown a few meters away to the ground. Are these marvels of modern technology so unadaptable that AZUR metro drivers are unable to provide a smooth ride? And what about the increase of slowed-down service? Are these technologically Advanced AZUR metro so performance-prone that they stop for longer periods at every station?






In conclusion, while the new AZUR métros may at first glance appear to be a safer, more enjoyable public transit commuting experience, the incredible loudlness of their LED-LCD lights and automated station announcements can only be described as an assault on the senses, and the STM's refusale to address these issues is a clear indicator that they have no concern whatsoever about the health and comfort of their paying customers. Wether the design of these AZUR métros was done purpously or by flawed blunder, it is quite unmistakeable that the STM never had such designs tested nor approaved by the users, and have no empathy towards how these imposed design flaws may have as side effects on those who actually use these services.


AZUR métros: an assault on the senses
- Too Bright
- Too Loud









Friday 30 March 2018

Roland re-issues the 303 as the TB-03

I just found out by accident that Roland have decided to re-do/re-issue it's long discontinued classic, the TB-3030 as the TB-03, looking like an exact clone of it's 80s counterpart. Maybe this was in response to the rather un-impressive reaction to their Aira TB-3 device from a couple years ago, which I own and find very, very effective and pleasing. Plus before the re-release of the TB-03, was the only real viable alternative to owning an actual classic 303, which I saw fetching prices of $15000 in USD for used models. But then again, TB-303's were "the" classic acid squeeking box which no real technohead could be without (unless you had some kind of emulator or a competitor's equivalent), and the reputation of this machine goes without saying. Anyway, I am very happy with my Aira TB3, and hope that folks who weren't impressed by it to find the newly re-issued TB-03 a bit more to their liking!

Friday 2 March 2018

Another analogue device for the wishlist



Ah yes, the infamous Korg Electribe series (the first ones). When I got lucky and purchased a perfectly working EM-1 one, I never knew I would be falling in love with this type of mini "Workstation". These little beasts were designed to be portable (more or less, although they can not be powered by batteries so you need an electrical outlet) so they were somewhat popular in the earlier Y2K era, especially with the DJ types. However their compact size and very powerful sound really majkes these devices quite charming and worthwhile to those who know what to do with them and put them to good use. Since I am at the moment without a properly usuable sampler (my S-330 hasn't been operated for years due to lack of space and external controller) I've had my eyes on the ES-1 from the electribe series for quite some time now. Anyway, I shall still be keeping an eye out for an affordable one of these, because over the last year or so (perhaps even longer), they've been quite expensive to acquire on the second hand market.

Tuesday 27 February 2018

another new Hollywood crush: Paula Patton



Here's another Hollywood starlet which got my interest: Paula Patton. She has not appeared in much yet which most people would immediately recognize, but she is quite charming and gifted as an actress. Anyway, another drive-by little mini-post due to time constraints, but I wanted to share a little bit of this delightful woman!

Monday 26 February 2018

Another want for the synth wishlist



The Korg Kaossilator 2:




One of the main reasons why I am interested in hand-held, Pocket-sized electronic instruments is the infamous time limitation factor. Let's face it: who has enough time to do what they really love in today's existance? Between full-time work and un-paid/un-recognized overtime, chores, responsibilities, family, and everything else, one barely has enough time to indulge in life's pleasures, such as sleeping, eating at a decent pace, meditating, or just plain creating one own's personal art.


Granted many people would argue that if I did music using a laptop like about 99.9% of the electronic "musicians" (cough cough) out there today, I could probably get away by hauling around a semi-heavy and semi-cumbersome device. But I tried the laptop idea and aside from the fact it is a very cold and unwelcoming environment to work with, which also does not inspire creativity, is also not very transport-friendly. Have you tried making music on a laptop while commuting in the metro (and don't get me started on those horrible Azur STM métros which make travelling a real pain!)? Suffice it to say it isn't really an option.


When I saw the second generation of the Korg Kaossilator, I was quite impressed: about the size of one of today's "Smartphones" (nothing smart about them, and they even turn their users into braindead commercial-consuming Facebook selfie zombies), with a good amouont of versitality, this little beast of a device is a great alternative to hauling around an actual piece of gear. Because let's be blunt: if you are going to spend 60-90 minutes per day commuting to and from work, you might as well use that time to dig into that creativity and do something original.


However the Kaossilator doesn't really allow for much in terms of actual 100% original compositions. It does the basics quite well, sounds amazing, even has a sampler-like function, and is very user-intuative/friendly, but it doesn't have the versitality of a more complex set-up. So as I said, it is a wonderful little beast which I would LOOOOOOOVVVEEEEEEE to add to my arsenal and which would come in very handy when wasting all that time in the metro everyday, and would indeed help me feel like I am actually doing something musically. But I suspect that it could only take me so far, in the same vein as some of those free loopin and music making free apps on "Smartphones", who'se creating companies fold within a year and then offer zero support.



Thursday 22 February 2018

Latest Hollywood crush: Julia Jones



And so... my latest crush on a Hollywood actress is Julia Jones whom mopst would identify as a very secondary character (almost a couple of cameos, really) in one of modern day teenage-oriented vampire-light highly succesful movie series which launched a whole bevy of similarly-themed teenage-oriented movies with some kind of "supernatural" or pseudo-sci-fi(light) twist. I knew I recognized her when I saw her in the amazing film "Wind River", where she shines inexplicably even though she only appeared in 2 or 3 scènes! Anyway I could ramble on for ages about this but since I am doing this as a drive by from work, I have to finish it before I can even start! Anyway, enjoy!

Thursday 8 February 2018

Another synth wish; akai Timbre Wolf



Above: Here is another one of my "wishlist" synthesizers. However this one is very divided by synthesists everywhere. Some like it, some hate it with a passion. What`s good about this one is that it has it's own little step sequencer AND has a four voice "polyphony" which actually means you can sequence four individual "sounds" independantly. It's almost like having your very own little analogue "multi-track" sequencer, all in one small package. However one of the biggest downfalls of this one is how the actual filters and parameters for the sounds is somewhat limited, and not up to the standards of true analogists out there looking for synths that pack more "punch" or "bite". It's a great little addition to an already existing set-up, but it's shortcomings seem to be dividing the opinions of the target audience. If I could find one for dirt cheap, I am certain I could do something rather interesting when paired up with some of my other gear!

Thursday 25 January 2018

Outpost 31 print (a nice one!)



Here is a great looking minimal print, very reminicent of the art of Ron Guyatt and those somewhat semi-famous "space destinations" mock posters. This one is of course to homage the masterpiece "The Thing" by John Comparter, 1982. It represents the US science station, Outpost 31, and you can get a print for a very decent price directly from the artists at the following link:


https://www.mpeppler.com/shop/w0voxsje9e91fq57130pg44pm3h2b3-g9wnc-84zhe-kpmpl-p7dg4-lj224-lfmcx-wtm8x-afje6-3n779-rj4rl-3kefx-9mr66-wgmgd-xf5ll-zyxzt-4yf6s-6zwkt-9l7ce-bcbhj-bzw3w-h7wne-8gcky-5k5hj-9j553-whgw5-tmx2h-wnh5t-8d5ak-2a3g8-dwxz4-rlxl4-5d8x2

Thursday 11 January 2018

Latest synth wish: Roland Aira System-1



Above is the Roland (Aira) analogue synthesizer "System 1". It is one of my latest "wishlist" of synths, even though it is not multi-timbral nor touch sensitive. However the sounds coming out of this little beast are astounding and this would be a great addition to my little keyboard set-up. Granted there is only so much one can do with uni-timbral non-touch sensitive keyboards, which in the end do start to take up space, but it is quite a potent little number in itself.