Blog Archive

Monday, 26 February 2018

Another want for the synth wishlist



The Korg Kaossilator 2:




One of the main reasons why I am interested in hand-held, Pocket-sized electronic instruments is the infamous time limitation factor. Let's face it: who has enough time to do what they really love in today's existance? Between full-time work and un-paid/un-recognized overtime, chores, responsibilities, family, and everything else, one barely has enough time to indulge in life's pleasures, such as sleeping, eating at a decent pace, meditating, or just plain creating one own's personal art.


Granted many people would argue that if I did music using a laptop like about 99.9% of the electronic "musicians" (cough cough) out there today, I could probably get away by hauling around a semi-heavy and semi-cumbersome device. But I tried the laptop idea and aside from the fact it is a very cold and unwelcoming environment to work with, which also does not inspire creativity, is also not very transport-friendly. Have you tried making music on a laptop while commuting in the metro (and don't get me started on those horrible Azur STM métros which make travelling a real pain!)? Suffice it to say it isn't really an option.


When I saw the second generation of the Korg Kaossilator, I was quite impressed: about the size of one of today's "Smartphones" (nothing smart about them, and they even turn their users into braindead commercial-consuming Facebook selfie zombies), with a good amouont of versitality, this little beast of a device is a great alternative to hauling around an actual piece of gear. Because let's be blunt: if you are going to spend 60-90 minutes per day commuting to and from work, you might as well use that time to dig into that creativity and do something original.


However the Kaossilator doesn't really allow for much in terms of actual 100% original compositions. It does the basics quite well, sounds amazing, even has a sampler-like function, and is very user-intuative/friendly, but it doesn't have the versitality of a more complex set-up. So as I said, it is a wonderful little beast which I would LOOOOOOOVVVEEEEEEE to add to my arsenal and which would come in very handy when wasting all that time in the metro everyday, and would indeed help me feel like I am actually doing something musically. But I suspect that it could only take me so far, in the same vein as some of those free loopin and music making free apps on "Smartphones", who'se creating companies fold within a year and then offer zero support.



Thursday, 22 February 2018

Latest Hollywood crush: Julia Jones



And so... my latest crush on a Hollywood actress is Julia Jones whom mopst would identify as a very secondary character (almost a couple of cameos, really) in one of modern day teenage-oriented vampire-light highly succesful movie series which launched a whole bevy of similarly-themed teenage-oriented movies with some kind of "supernatural" or pseudo-sci-fi(light) twist. I knew I recognized her when I saw her in the amazing film "Wind River", where she shines inexplicably even though she only appeared in 2 or 3 scènes! Anyway I could ramble on for ages about this but since I am doing this as a drive by from work, I have to finish it before I can even start! Anyway, enjoy!

Thursday, 8 February 2018

Another synth wish; akai Timbre Wolf



Above: Here is another one of my "wishlist" synthesizers. However this one is very divided by synthesists everywhere. Some like it, some hate it with a passion. What`s good about this one is that it has it's own little step sequencer AND has a four voice "polyphony" which actually means you can sequence four individual "sounds" independantly. It's almost like having your very own little analogue "multi-track" sequencer, all in one small package. However one of the biggest downfalls of this one is how the actual filters and parameters for the sounds is somewhat limited, and not up to the standards of true analogists out there looking for synths that pack more "punch" or "bite". It's a great little addition to an already existing set-up, but it's shortcomings seem to be dividing the opinions of the target audience. If I could find one for dirt cheap, I am certain I could do something rather interesting when paired up with some of my other gear!

Thursday, 25 January 2018

Outpost 31 print (a nice one!)



Here is a great looking minimal print, very reminicent of the art of Ron Guyatt and those somewhat semi-famous "space destinations" mock posters. This one is of course to homage the masterpiece "The Thing" by John Comparter, 1982. It represents the US science station, Outpost 31, and you can get a print for a very decent price directly from the artists at the following link:


https://www.mpeppler.com/shop/w0voxsje9e91fq57130pg44pm3h2b3-g9wnc-84zhe-kpmpl-p7dg4-lj224-lfmcx-wtm8x-afje6-3n779-rj4rl-3kefx-9mr66-wgmgd-xf5ll-zyxzt-4yf6s-6zwkt-9l7ce-bcbhj-bzw3w-h7wne-8gcky-5k5hj-9j553-whgw5-tmx2h-wnh5t-8d5ak-2a3g8-dwxz4-rlxl4-5d8x2

Thursday, 11 January 2018

Latest synth wish: Roland Aira System-1



Above is the Roland (Aira) analogue synthesizer "System 1". It is one of my latest "wishlist" of synths, even though it is not multi-timbral nor touch sensitive. However the sounds coming out of this little beast are astounding and this would be a great addition to my little keyboard set-up. Granted there is only so much one can do with uni-timbral non-touch sensitive keyboards, which in the end do start to take up space, but it is quite a potent little number in itself.

Friday, 1 December 2017

mestizo de sangley







mestizo de sangley
Sangley is an archaic term used in the Philippines beginning in the Spanish Colonial Period to describe and classify a person of pure Chinese ancestry. The Spanish used the term mestizo de sangley to refer to a person of mixed Chinese and indigenous/Indio (Filipino) ancestry (the latter were referred to as Indio).

Wednesday, 18 October 2017

Texas Chainsaw Massacre part 2 "uncut"



I recently submitted a review of the 1986 Tobe Hooper sequel to his most infamous movie ever in the IMDB website. What prompted me to do so was how I somehow was reminded that I was actually given a copy of a rare(r) VHS version which was widescreen, uncensored, and had bonus material. Now I do not know if everyone (or the majority of them) were, like myself, exposed to the heavily truncated theatrical / 80s pan & scan VHS version which left a horrible taste in everyone's mouth, but it is no wonder this sequel had such a bad reputation if only the heavily edited version was seen.


The history lesson:
My brother always was an avid gore and horror fan. He would buy magazines (Fangoria, Mad Movies, Gorezone, Blood Red, etc.) and read up on all things horror before things were released. Think of the pre-internet days (if anyone remembers such an era!) of pre-release spoilers and such. Anyway he would keep himself informed quite a bit about what was happening, who was doing what, what was being censored and edited, and everything surrounding theatrical as well as home-video-only releases.




Somewhere in either late 1986 or early 1987 we rented the widespread pan & scan VHS of "TCM 2", since we were unable to go see 18+ / R-rated films at the time (age restrictions were highly enforced: 18+ meant 18+ no exceptions). Both of us were appauled at how incredibly censored and amputated the film was, especially since after all the hype the film was getting in pre-release. None of the gore which was previewed in the magazines made it into the final film, which in turn felt not only uneven and incomplete, but as though it was a mere shadow of itself. No Wonder it had such horrible reviews if this was the version "everyone" was exposed to.




Cut to maybe a decade later. An ex-friend of mine picked up for me (thinking it would interest me) at a yard sell or something a VHS copy of the film. The cover was different, and it claimed to include a new 35mm transfer of the film in letterbox (widescreen) preserving it's original aspect ratio, as well as previews and a couple of deleted scenes. Since the film had left such a horrible impression on me, I did not actually Watch it until much later during my then pot-infused late night insomnia headphone viewings. Things open up as expected, in nice 1:85 widescreen which is always an improvement over 4x3, and radio DJ "Stretch" is being hounded by these two yuppy meatheads driving around and shooting at road signs.




I almost chocked when I finally saw Leatherface's gory dismemberment of the driver of the car: I half hazingly remembered (possibly a fantasmagoric imagining) a picture of the chopped-up yuppy but had never seen it. And there it was, in all it's glory gory beauty. It was at that point that I thought that maybe, just maybe, I may have stumbled upon an un-cut, or work-print version of the film.


It has been a long while since I watched it (due to the difficulty of actually viewing VHS tapes in today's day and age) so I can not recall with accuracy exactly all the details about what was re-inserted into the film, but I will attempt at mentioning some of what I recall:


- The aforementionned introductory yuppy kill
- A longer chase sequence in the radio station between Leatherface and Stretch.
- Chop-Top repeatidly bashing Stretch's radio assistant with a hammer
- A whole sequence where Stretch hides in a room where leatherface stashes the dead bodies, where he applies a face/mask to a corpse and dances; he cuts off the radio assistant's face, discovers Stretch but tries to have her wear the cut-out face, and then the assistant waking up, looking for his face.
- Leatherface's death is actually shown as Dennis Hopper's chainsaw rips through his tummy
- More cuts and bruises during Stretch's final escape out of the Sawyer family hideout


There is probably much more but these are what my forgetful mind can recall, as I write this is semi-secrecy while at work.




But the fun bonus stuff did not end there. After the previews which followed the feature on the tape, there were a bunch of deleted scenes, including the long lost and somewhat anticipated by fans (so no Wonder they were so frustrated when none of this made it in the movie) scene where Leatherface essentially kills off a college football team in an interior parking garage. Sadly, this and other bonus cut moments are of horrible quality, as though shot with primitive portable video Equipment of the era. Still, since all of this was never before seen nor available, it prooved to be an exquisite experience to anyone who had any type of hopes for this film to even being a hint of the follow up to one of the 70s' most iconic and infamous horror films.




After that viewing, my opinion of the film has changed. Finally, the film "made sense" (if such a thing is possible with such a movie from the twisted mind of Tobe Hooper who was always typecasted as a slightly deranged film-maker... bordering on the incompetent), in it's own sick, deranged, twisted way. It was both an adequate follow-up to the first one, while also being in the time of the era in which it was made: humour, both straight and dark/black, and gory enough for the gorehounds of the day. Why this version was never released on DVD (as an unrated cut) still surprises me as today's audiences have seen much worse in terms of intense and shocking sequences of bloody disgusting dismemberments and such. In any case, as soon as I have a few hours to myself and a properly working VCR, I'll be transfering this version on DVD as well as all the bonus tidbits!




If you have any information concerning any plans of anyone ever releasing this film in this uncut/workprint version, feel free to leave your comments below.